THE LÉORA JOURNAL

Notes on colour

Notes on colour

Why the most sophisticated floral palettes often begin with a colour that seems slightly out of place.

Why the most sophisticated floral palettes often begin with a colour that seems slightly out of place.

Notes on colour

Colour needs tension

A palette becomes interesting when it contains one note that resists easy harmony. A rust stem among blush flowers or a sharp green leaf against tobacco tones can give the whole arrangement clarity.

Work from the room

We never choose floral colour in isolation. Stone, linen, timber and the quality of natural light all shape how petals will read, so the setting is part of the palette from the beginning.

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